Conley T. Louis Aragon, ’Elsa, je t’aime. In: Hugues Azerad. Cambridge: Cambridge University Press ; 2010. pp. 105-15.

Conley T. A Topographer’s Eye: From Gilles Corrozet to Pieter Apian. In: Walter S. Melion and Lee Palmer Wandel. Leiden and Boston: Brill ; 2010. pp. 55-80.

Conley T. The Strategist and the Stratigrapher” . In: Aftereffects: Gilles Deleuze and the Philosophy of Cinema. Minneapolis: U of Minnesota P ; 2010. pp. 260-73.

Conley T. Sarah Kofman. In: Film, Theory and Philosophy: The Key Thinkers. Durham: Acumen Publishers ; 2009. pp. 190-200.

Fadaises et Dictons. In: Zahi Zalloua. Seattle and London: University of Washington Press ; 2009. pp. 253-63.

Conley T. Cinema and its Discontents. In: Gabriel Rockhill and Philip Watts. Durham, NC: Duke UP ; 2009. pp. 216-28.

Conley T. The 39 Steps and the Mental Map of Classical Cinema. In: Martin Dodge. London: Routledge ; 2009. pp. 131-48.

Conley T. Rhétorique et littérature en Europe de la fin du Moyen Age au XVIIe siècle . In: ; 2008.

Conley T. Mélanges Jean Céard. In: ; 2008.

Conley T. European Film Theory. In: ; 2008.

Conley T. Cinema and Modernity. In: ; 2007.

Conley T. The History of Cartography 3: The European Renaissance. In: ; 2007.