’Des cannibales’: Essai sous le don. Montaigne Studies 22. 2010 :119-26.
Conley T. Louis Aragon, ’Elsa, je t’aime. In: Hugues Azerad. Cambridge: Cambridge University Press ; 2010. pp. 105-15.
Conley T. A Topographer’s Eye: From Gilles Corrozet to Pieter Apian. In: Walter S. Melion and Lee Palmer Wandel. Leiden and Boston: Brill ; 2010. pp. 55-80.
Conley T. The Strategist and the Stratigrapher” . In: Aftereffects: Gilles Deleuze and the Philosophy of Cinema. Minneapolis: U of Minnesota P ; 2010. pp. 260-73.
Conley T. An Errant Eye: Topography and Poetry in Renaissance France.; 2010.
The Cartographic Journal. 2009.
Cahiers V.-L. Saulnier. 2009.
A Devil in Diversion: Number and Line in the Essais. Configurations 17.1-2. 2009 :87-103.
Le Méditer: Via Apian no. 26. Cahiers V.-L. Saulnier. 2009 :95-112.
Le Métier d’écrire. L’Homme:Revue française d’anthropologie. 2009 :185-86.
Casablanca: Movies and Memory
and edition of Augé TM. Casablanca: Movies and Memory.; 2009.
Conley T. Sarah Kofman. In: Film, Theory and Philosophy: The Key Thinkers. Durham: Acumen Publishers ; 2009. pp. 190-200.
Fadaises et Dictons. In: Zahi Zalloua. Seattle and London: University of Washington Press ; 2009. pp. 253-63.
Conley T. Cinema and its Discontents. In: Gabriel Rockhill and Philip Watts. Durham, NC: Duke UP ; 2009. pp. 216-28.
Conley T. The 39 Steps and the Mental Map of Classical Cinema. In: Martin Dodge. London: Routledge ; 2009. pp. 131-48.