Jardine A. Thinking Wittig's Differences: Or, failing that, Invent. GLQ. 2007;13 (4).
Living Attention: On Teresa Brennan
Jardine A, Lundeen S, Oliver K ed. Living Attention: On Teresa Brennan. New York: SUNY Press; 2007.Abstract
As an internationally respected feminist philosopher, radical social and political theorist, and tireless activist, Teresa Brennan (1952-2003) was one of the most provocative thinkers of our time. Living Attention is a tribute to the significance of her thought and a testament to the transformative power of her life. This book demonstrates the scope of Brennan's thought as it continues to challenge academics, public intellectuals, and government leaders. Her concerns ranged from the implications of psychoanalytic theory to relations between men and women to the effects of globalization on our ecological system. The contributors to this volume-from a broad variety of disciplines, including philosophy, literature, government, literary and critical theory, and women's studies-take up Brennan's call to radical thinking and, by examining different aspects of Brennan's work, critically engage with her oeuvre. Book jacket.
Jardine A. The Game Show. Booming: An Apocalyptic Memoir. Women's Studies Quarterly. 2005;33 (3).
Jardine A. The Invisible Woman In the Academy: Or, Murder Still Without A Text. Tulsa Studies in Women's Literature. 2005;24 (2).
Jardine A. Review of Nancy Miller's But Enough About Me. In The Radcliffe Quarterly. 2003.
Jardine A. Coding the Human in a Transmodern World: A Millennial Conversation With Alice Jardine. An Excerpt from Booming FACS. 2003;6.
Jardine A. Dolphins, Dying Rooms, And Destabilized Demographics: Or, Loving Anna In A Transmodern World. Tulsa Studies in Women's Literature. 2002;21 (2).
Shifting Scenes: Interviews on Women, Writing, and Politics in Post-68 France
Jardine A, Menke A ed. Shifting Scenes: Interviews on Women, Writing, and Politics in Post-68 France. New York: Columbia University Press; 1991.Abstract
Fifteen of the most important and influential women fiction writers, critics, and theorists writing in France today are interviewed in Shifting Scenes. Although their writing and attitudes differ in many ways, their work is perceived in the U.S. to constitute "French Feminism," and has a marked impact on American feminist theory. Alice Jardine and Anne Menke interviewed Chantal Chawaf, Helene Cixous, Catherine Clement, Francoise Collin, Marguerite Duras, Claudine Herrmann, Jeanne Hyvrard, Luce Irigaray, Sarah Kofman, Julia Kristeva, Eugenie Lemoine-Luccioni, Marcelle Marini, Michele Montrelay, Christiane Rochefort, and Monique Wittig. The women were asked what it means to be a woman writer in France today and how each views her relations to her country's institutions, and the place of women writers in the canon. the answers are lively, unexpectedly argumentative, and diverse. What these highly accomplished women have to say about contemporary society, politics, literature, feminism, and their own work, will surprise, inform, and challenge.
Jardine A, Suleiman S, Perry R, Mazzio C ed. Social Control and the Arts. Cambridge: New Cambridge Press; 1990.
Men in Feminism
Jardine A, Smith P. Men in Feminism. New York and London: Methuen; 1988.Abstract
The first substantial attempt to produce a dialogue between feminists and their male allies, this collection of essays assesses the benefits or disadvantages of male participation in feminism.
Gynésis: Configurations of Woman and Modernity,
Jardine A. Gynésis: Configurations of Woman and Modernity,. Ithaca: Cornell University Press; 1985.
The Future of Difference
Eisenstein H. The Future of Difference. Cited in the Harvard Guide to Influential Books. (Jardine A). Boston: G.K. Hall and Company: Rutgers University Press; 1985 pp. 392.
 Desire in Language: A Semiotic Approach to Literature and Art
Jardine A, Kristeva J, Gora T. Desire in Language: A Semiotic Approach to Literature and Art. (Roudiez L). New York: Columbia University Press; 1980.Abstract
This study proposes and tests theories involving first the origin and development of the novel, and second what the author has defined as a signifying practice in "poetic language" and pictorial works. She rejects the postulates of Freudian ego psychology, and argues the existence in language of a split subject divided between unconscious and conscious motivations; that is, between physiological processes and social constraints.