Blackmore J. Portuguese Scenes of the Senses, Medieval and Early Modern Giles R. Beyond Sight: Smell, Taste, Touch and Hearing in Iberian Literatures and Cultures. Submitted :1200-1750.

Blackmore J. Lisbon. In: Wallace D Europe: A Literary History. Oxford Univ. Press ; Forthcoming. pp. 1348-1481.

Blackmore J. Singing the Scene of History in Fernão Lopes. In and Out of the Mediterranean: Medieval and Early Modern Iberian Studies. Forthcoming;Hispanic Issues.

Blackmore J. The Sunken Voice: Depth and Submersion in Two Early Modern Portuguese Accounts of Maritime Peril. In: Thompson C Shipwreck in Art and Literature: Images and Interpretations from Antiquity to the Present Day. New York: Routledge ; 2014. pp. 60-76.

Blackmore J. The Shipwrecked Swimmer: Camões’s Maritime Subject. Modern Philology . 2012;109 (3) :312-325.

Blackmore J. Introduction: António Botto’s Bruises of Light. In: The Songs of António Botto. University of Minnesota Press ; 2010. pp. 9-36.

Blackmore J. The Songs of Antonio Botto. Univ. of Minnensota Press; 2010.

Blackmore J. Melancholy, Passionate Love, and the Coita d’Amor. PMLA. 2009;124 (2) :640-46.

Blackmore J. Moorings: Portuguese Expansion and the Writing of Africa. Univ. of Minnensota Press; 2009.

Blackmore J. Imagining the Moor in Medieval Portugal. Diacritics . 2006;36 (3-4) :27-43.

Blackmore J. Manifest Perdition: Shipwreck Narrative and the Disruption of Empire. Univ. of Minnensota Press; 2002.

Boxer CR. The Tragic History of the Sea. (Blackmore J). Univ. of Minnensota Press; 2001.

Blackmore J, Hutcheson GS ed. Queer Iberia: Sexualities, Cultures, and Crossings from the Middle Ages to the Renaissance. Q. Duke Univ. Press; 1999.